Showing posts with label alchemical sign. Show all posts
Showing posts with label alchemical sign. Show all posts

07/05/2016

Alchemical linocut

For the first part of the Print Day in May 2016 I've been printing a narrow lino strip with alchemical signs. The end project is to decorated cardboard boxes with it.
The selected symbols are inspired by those used on medieval apothecary jars, as evidence of the common experiment period of both pharmacy and alchemy.
The paper I am using is lighter than the typical print paper I normally employ, and it is also textured (imitating the structure of canvas).
Stay tuned for the second part of the printing project, as in the afternoon I intended to try out the new typographic colors I've recently bought.




 

28/11/2015

Cantharid - famous poison and aphrodisiac



The cantaridae (Lyttavesicatoria), also known as the soldier beetle, are harmful insects of the Coleoptera order. In the past, the insects were “harvested” by shaking the trees (mainly ash trees) and collecting the beetles on canvases placed underneath. The catharidae were then drowned in water and vinegar, dried, and crushed.
Lytta vesicatoria or the soldier beetle
 The relevant substance is cantharidin, toxic and smelly, but very famous for being the oldest known European aphrodisiac. Nevertheless, its effects are purely irritant and inflammatory, though locally stimulating blood flow.
Eighteenth-century cantharid powder
 Besides this very famous use, cantharid powder was also used in plasters, to cause blisters, as nervous stimulant (against drowsiness) and as an abortive. Mixed with food, the powder is almost undetectable and was thus used as poison, i.e. the poison of choice of the Medici family.
 
Wooden jar and parchment sheet including the alchemical sign for powder
The History of Pharmacy Collection in Cluj-Napoca includes five jars for cantharid powder, tincture and homeopathic dilutions, dated to the 18th and 19th centuries. Some actual powder has been preserved in a parchment sheet from the 18th-century apothecary chest of Tereza Kemeny. The parchment in question and one of the wooden jars include the alchemical sign for “powder” .