Goddess Gruia had been busy today in her Sancta Sanctorum gilding linocut prints (contact relics). The project was a first for her, as she has applied gold foil to acrylic paintings and canvas, but never on paper, on simple linocuts. The experiment envisaged several combinations of motifs in Transylvanian cartouche printed on white paper, the result being rather Baroque (the combination of white and gold), but also one try, the best in her opinion, on black paper. It does go better on black, right?
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